In many ways, this story resonates deeper with us than that colonial ancestor who arrived with or shortly after the pilgrims in Plymouth or in Jamestown because we many have even met or certainly knew older relatives who remembered their stories which escaped the fog of time and memory and are relatively fresh family legend and anecdotes still bantered around at family reunions and the holidays.
Luckily for those of us with such ancestry, which is most of us in the United States, these ancestors' journeys and arrival are much more likely to have left evidence in the records of our Country and in the trunks, shoe boxes, and photo albums of our older relatives. Thus, creating a genealogical display of their story which usually resonates much greater with us today is typically an easier project with greater options and avenues for one's creativity.
For this project, I am creating a framed collection of images documenting my great grandfather's (my father's maternal grandfather), Jan Paruch's, journey from southern Poland (Galicia or Malopolski for you Polish purists) to United States citizen. Jan Paruch left Poland for good in 1912 and although he bypassed the chaos at Ellis Island by traveling to Canada and then to Detroit through Port Huron, MI, the display is no less compelling.
Thankfully, my father had in his possession and was thoughtful enough to save and pass on an envelope that he presumably found when my ancestor's daughter and son in law (my grandparents who lived in the same house) died not so long ago. In this envelope was Jan Paruch's U.S. Citizenship certificate which although folded for nearly 70 years, was in good condition considering it was issued in 1939.
Framing the original by itself was a wonderful option and one I may pursue but in the meantime I had a very special relative, my godmother and Aunt Arlene (Dad's sister) to thank for her willingness to send to me her oldest and most treasured family photographs of our family so that I could scan them in and use them in another project or to frame by themselves. Thus, I wanted to create a display for her while preserving the original for myself.
The problem with using the typical flattening techniques (other than just putting it in a dictionary for a few years) is that they usually involves some sort of liquid like water or at least steam being applied to the paper to loosen the fibers in the paper, before applying heat via an iron to the document. Normally this might be worth the risk but this was an original which contained an actually photograph of some age and the several signatures, two of which were my great grandfather's in ink the durability of which when interacting with water I could not predict or risk.
As a compromise, I placed the document in my bathroom on a shelf shielded from any possible splashing, and turned on the shower on hot with the door closed for ten minutes. While using steam from the shower was still a risk, it was a minor one compared to the suggested spray bottle, etc. After about ten minutes of steam, I placed the document face down on a clean sheet of paper and covered it with another, after which I ironed the image using constant motion being sure not to shift the document relative to the paper buffers and with a no steam setting. This flattened out the document somewhat and was followed by placement of the document including the paper covering in an Atlas which was placed under a stack of uniformly spaced heavy books.
After two days, the document was somewhat flatter but still retained creases as I found it and the imprint of a seal (forget to mention the danger of losing this aspect of the document) which was applied to the document partially overlapping the picture.
Citizenship papers for Jan Paruch, my great grandfather |
The result was not dramatic but I think useful for this project. it may be difficult to see but the image below reflects the lessened distortive effect of the folding and the picture touch-ups:
Details of the Journey to Citizenship
While framing the certificate would certainly be a wonderful thing to display by itself, it doesn't so much tell his story as document the destination. After some work on ancestry.com, familysearch.com, ellisisland.com, etc., I discovered and verified that Jan Paruch emigrated from Poland for good in 1912 via a transatlantic journey from Glasgow, Scotland to St. John's, New Brunswick, Canada, aboard the SS Cassandra, and steamship of the Anchor line. Thankfully, his name was not particularly subject to the spelling and indexing errors so commonly a thorn in the genealogist's side and I was able easily to discover the ship's manifest which provided very useful information regarding where he came from (Rozdziele, Poland) and where he was going (Hammond St., Detroit, which allowed me to verify I had the correct passenger since he lived on Hammond St. for the rest of his life).
Luckily for my display project, the entry containing his name was fairly close to the top of a page in the ship's manifest so I could use the heading contained at the top of the page as well as the line containing his name without wasting a lot of space with the information of dozens of other passengers, which while interesting and perhaps even useful, would only clutter the display.
The only issue with using this was the quality of the image which was clearly taken from a microfilm facsimile of the original and was therefore pure black and white and not particularly sharp. Thus, to make use of the image, I decided to add a little color to image in MS Powerpoint (yes, I know, I should be using something expensive and sophisticated like Adobe's photoshop or the like but I already own and know how to use Powerpoint and it has been adequate so far) to give the image a little artificial age and realistic appearance. The result is below:
Excerpt of ship manifest for SS Cassandra on March 16, 2012 |
Picture Postcard of the SS Cassandra |
With my substantive content selected, it was only a matter of printing them out on my photographic oriented ink jet printer on special matte paper on the high quality setting and placing them in the matting I cut myself using a matte cutter I purchased from an art supply store (Utretch's in DC) which saves a LOT of money, and attaching them to a backing board overlaid by the matting in the frame I selected for the job. The result, I hope you will agree, is a wonderful display that better tells the story of my great grandfather's journey to US citizenship than simply displaying the certificate itself, which I will send along to my Aunt Arlene later today hopefully garnering much appreciation and her willingness to continue her assistance to my genealogical efforts on our shared Polish ancestry:
I hope you liked it. Let me know what you think or send along suggestions or thoughts. Cheers, djm
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